The Cinematic Language of Film - 1265 Words

The cinematic language that we know of today would not be as it is today if we had synchronous sound recording from the beginning of film. Cinematic Language is the systems, methods or conventions by which movies communicate with the viewer. A few examples of cinematic language are; montage; mise en scene, the use of long takes, depth of field shooting in order associate people or objects; Expressionism, the use of lighting techniques, severe camera angles, and elaborate props, to name a few aspects; and realism, a technique to make the action seem as true to life as possible. The list of techniques and styles of cinematic language go on, and can only be limited by the imagination. Early films, and early sound films both had something in common; they lacked many elements of the cinematic language. The reason sound films reverted back to the same pre-cinematic style of early films, was due to the fact that they had technical difficulties, that required them to fall into the style of t he old ways. I do believe that if filmmakers would have had sound from the beginning, with the same sense of movie direction they worked with, they would have used sound as a crutch rather than an enhancing element. Early movies were shot and viewed as slide shows. With narrations like The Life Of An American Fireman, where instead of cutting we would see full clips linked together. When the filmmakers brought us from one action to the next they, repeated actions instead of cutting and lettingShow MoreRelatedSummary Of Cinematic Language In A Bronx Tale1304 Words   |  6 PagesIn the film, A Bronx Tale (1993) directed by Robert De Niro, the character Calogero Anello played by Lilo Brancato, demonstrates cinematic language. The cinematic language uses various visual codes in cinematic storytelling to convey the meaning of a film. The components of cinematic storytelling are portrayed through various techniques such as, camera movement, mise-en-scene, cinematography, sound, editing, and etc. within a film’s frame to help tell the story. The main character Calogero facesRead MoreAnalysis Of The Movie Wim Wenders Places A Digital Camera Everywhere And Creates Cinema ! ``1297 Words   |  6 Pagesâ€Å"Wim Wenders places a digital camera everywhere and creates cinema!†, I exclaimed after a retrospective of his films at FTII in Pune. A disastrous strive in one of my practices to emulate the grasp made me realize the way it takes meticulous planning and the satisfactory information of the cinematic language for two hours to look so casual and natural.One cannot simply place the camera and shoot. And this, to my thoughts, is what ails maximum of our movies today. Mise-en-Scene is the protoplasmRead MoreAnalysis Of Kill Bill Volume One, By Uma Thurman And Vivica Fox s First Encounter1025 Words   |  5 Pagesexpectations. Through a cinematic lens of non-understanding, Tarantino stands alone in his film style. From the visual to the audio, quite nearly every aspect of his films diverge from traditional values. Although this divergence may seem unique, it has in fact, come from a dense, through-the-ages, and accumulated knowledge of films. In an attempt to subvert our understanding, preconceived notions, and theatrical assumptions, Tarantino utilizes overt cinematic language within the film of Kill Bill VolumeRead MoreFrench New Wave and Poetic Realism Essay1120 Words   |  5 Pagesthe very first actualities from the Lumià ¨re brothers and the fantastical shorts of Maries Georges Jean Mà ©lià ¨s, cinema has continually fulfilled its fundamental purpose of artistic reflection on societal contexts throughout the evolution of film. Two Frenc h cinematic movements, Poetic Realism (1934-1940) and French New Wave (1950-1970), serve as historical bookends to World War II, one of the most traumatic events in world history. The Rules of the Game (Jean Renoir, 1939) is a classic example of FrenchRead MorePleasantville Film Analysis Essay765 Words   |  4 PagesThe film Pleasantville directed by Gary Ross is about two modern teenagers, David and his sister Jennifer, somehow being transported into the television, ending up in Pleasantville, a 1950s black and white sitcom. The two are trapped as Bud and Mary Sue in a radically different dimension and make some huge changes to the bland lives of the citizens of Pleasantville, with the use of the director’s cinematic techniques. Ross cleverly uses cinematic techniques such as colour, mise-en-scene, camera shotsRead MoreAnalysis Of The Film Cinema Of Poetry 1706 Words   |  7 PagesGreene once said that, â€Å"Pier Paolo Pasolini was the more protean figure than anyone else in the world of film.† This means that Pasolini was a versatile film director because he simplified cinema into the simplest way possible, while still visually embodying an important message to his cinematic viewers. Because of his encounter with Italy’s social changes, it influenced the writing and films he chose to write. His aspirations regarding his written work â€Å"Cinema of Poetry† explains how a writer usageRead MoreHow Do You Know You ve Witnessed A Murder?1410 Words   |  6 Pagesvalue of a films translation of text into cinematic language. â€Å"A movie based on a literary source is often seen as a secondary work, consequently, of secondary value† (Cahir). What makes this ideology present in our society? What makes one translation considered more valuable than another? â€Å"Literature, generally, still occupies a more privileged position in the cultural hierarchy than movies do†¦Ã¢â‚¬  (Cahir). It is in the translation versus ad aptation of text to cinematic language that offers film its ownRead MoreQuiz 11182 Words   |  5 Pagesï » ¿Quiz 1 F10 - cinematic language, form, and genre   Question 1 of 18  Ã‚  Ã‚  Ã‚  Ã‚  Score:  5  Ã‚  Ã‚  (of possible  5  points) Three fundamental principles of film form are: (choose three)    A. Movies manipulate space and time in unique ways B. Movies depend on light. C. Movies provide an illusion of movement.    D. Movies present things as they really are.   Answer Key: A,B,C   Feedback The incorrect answer is D.   A, B, C are correct. Question 2 of 18  Ã‚  Ã‚  Ã‚  Ã‚  Score:  5  Ã‚  Ã‚  (of possible  5  points) The firstRead MoreAnalysis Of Francois Truffaut And Alfred Hitchcocks Film Auteur719 Words   |  3 Pagesaware with film usually has a favorite director. Why? What distinguishes one director from another? A director is â€Å"the person who determines and realizes on the screen an artistic vision of the screenplay; casts the actors and directs their performances; works closely with production design in creating the look of the film†¦and in most cases, supervises all postproduction activity, especially editing† (Barsam and Monahan 496). Clearly, the director of a film is lead visionary in how the film is madeRead MoreHamlet Film Vs Film Essay1737 Words   |  7 Pagesbeen many cinematic productions of Shakespeare’s Hamlet, some of which remain true to the text while others take greater liberties with the original format. Director Kenneth Branagh’s 1996 production of Hamlet was true to Shakespeare’s work in that the film’s dialogue was delivere d word or word as it is presented in the text. In contrast, Franco Zeffirelli conducted his 1990 production of Hamlet in a much more liberal direction in which lines, scenes and characters were omitted from the film. I argue